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Nike Just Made Back to the Future's Self-Lacing Shoes a Reality

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The Nike Mag is finally coming. Well, sort of. A version of it, at least.

The elusive shoe, from the fictional film Back to the Future II, has been something fans have begged Nike to create. Arguably a white whale of shoe enthusiasts, the shoe, power laces and all, had yet to come from Nike's Portland headquarters and be available to fans on a mass scale. But now, during the holiday season later this year, the company will finally release a shoe with the Nike Mag's key function: That's right, a self-lacing shoe is coming and it's meant for athletes. 

"Innovation at Nike is not about dreaming of tomorrow. It's about accelerating toward it," said Nike innovation chief Tinker Hatfield, in a statement. "We're able to anticipate the needs of athletes because we know them better than anybody. Sometimes, we deliver a reality before others have even begun to imagine it."

There's a catch, though. The shoe, the Nike HyperAdapt 1.0, which will be available in three colors, will only be available to members of Nike's app, Nike+

As the company puts it the shoe, "translates deep research in digital, electrical and mechanical engineering into a product designed for movement. It challenges traditional understanding of fit, proposing an ultimate solution to individual idiosyncrasies in lacing and tension preference." 

Nike's central conceit with the development of the shoe isn't just to make fans of the film happy. The self-lacing system will also help athletes reduce a typical concern: distraction. 

Though Tiffany Beers, senior innovator and project lead, was tapped to create the Nike Mag in April 2015 and it was quietly released on Oct. 21 (the date the fictional film takes place) the shoe wasn't made available to the public. 

"When you step in, your heel will hit a sensor and the system will automatically tighten," explained Beers in a statement. "Then there are two buttons on the side to tighten and loosen. You can adjust it until it's perfect." 

But the sensor technology, something many brands and marketers are focused on this year, doesn't simply tighten laces. The shoe's sensor tech will allow it to make "swift micro-adjustments" which will mean that "undue pressure caused by tight tying and slippage resulting from loose laces" won't happen anymore. It will also allow consumers and athletes a new level of personalization.

"That's an important step, because feet undergo an incredible amount of stress during competition," said Hatfield. "It is amazing to consider a shoe that senses what the body needs in real-time. That eliminates a multitude of distractions, including mental attrition, and thus truly benefits performance." 


Rory McIlroy Gets Serious in His Most Intense Nike Golf Commercial Yet

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Rory McIlroy keeps a grueling schedule, but he likes it.

The pro golfer stars in a new ad for Nike, from Wieden + Kennedy Portland, as he gears up in real life for this weekend's Masters tournament, in hopes of landing a grand slam—winning all four majors—on the 2016 tournament circuit.

The minute-long commercial is, in essence, an increasingly frenetic montage, as McIlroy trains for his big dream, waking up at 5:30 every morning, chopping vegetables for smoothies, lifting weights, hitting the driving range, running, lifting more weights and doing it all over again the next day.

It's packed with almost industrial sound design, and the odd snippet of a rattle snake, crescendoing perfectly to the tagline, "Enjoy the chase"—which lands more or less as a twist, given there's not much beforehand to suggest anybody would enjoy such a insane pace.



That payoff is all the more apt because it's true, capturing the obsessive appetite for repetition and discipline essential to mastering any craft, and also because it fits so squarely into Nike's history of a simplified, rah-rah approach to getting through pain: "Just do it."

More broadly, the spot—directed by Radical's Derek Cianfrance, no stranger to making cool sports ads—a strong addition to McIlroy's growing collection of Nike spots, part of a shiny five-year endorsement deal signed in 2013. Notably absent is Tiger Woods, who traded trick shots with McIlroy in the brand's hit "No Cup Is Safe" gag ad that year, and again in 2015's more heartfelt "Ripple" spot, about the 26-year-old Northern Irish athlete's rise to play alongside his older American idol.

Meanwhile, a fun series of 15-second vignettes (see below) expand on the new concept, featuring other pros like Tony Finau, Brooks Koepka, Michelle Wie and Patrick Rodgers honing their skills in odd and sometimes hilarious ways—practicing after dark, and in hotel hallways, and by splashing water on themselves in the middle of ponds.

Because anyone who isn't pressing themselves probably isn't going to succeed. And if it's not for love, then it's probably just torture.

Then again, there are worse gigs than being a celebrity athlete, even if it is still a job.



CREDITS

Client: Nike
Project: Nike Golf: Enjoy The Chase

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Stuart Brown & Chris Groom
Copywriter: Jared Elms
Art Director: Naoki Ga
Producer: Ross Plumber/Jeff Selis/Katie Sellon

Production Company: Radical
Director: Derek Cianfrance
Executive Producer: Alex Orlovsky
Director of Photography: Grieg Fraser

Editorial Company: Rock Paper Scissors
Editor: Biff Butler
Post Producer: Assistant Editor: Alyssa Oh/Daniel Benhamo

Post Executive Producer: Christopher Noviello.
Executive Produce: Linda Carlson
Creative Director: Angus Wall

VFX Company: VFX Studio:  a52
VFX Supervisor: VFX Supervisor: Andy McKenna
Flame Artist: CG Supervisor:  Manny Guizar
VFX Producer: 2D VFX Artist(s):  Cameron Coombs, Enid Dalkoff
Titles/Graphics: Finishing: Dan Ellis, Kevin Stokes, Gabe Sanchez
Head of Production: Kim Christensen
Executive Producer: Patrick Nugent

Music + Sound Company: Future Perfect

Composer: Craig Sutherland, Andy Huckvale
Producer: Max Gosling

Mix Company: Sound Mix
Lime Studios
Mixer: Zac Fisher
Mixing Assistant Kevin McAlpine
Exec Producer: Susie Boyajan

Ad of the Day: Nike Soccer Relives the Birth of a Star in Electric Spot With Blaise Matuidi

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A single shining moment can inspire a lifetime of greatness. That, at least, is the driving idea behind Nike's new soccer ad, "Spark Brilliance," from Wieden + Kennedy Amsterdam.

In it, French player Blaise Matuidi flashes back through his rise to stardom, starting as a young boy witnessing former pro Jay-Jay Okocha land a perfect volley into the back of the net while playing for Paris St. Germain, where Matuidi is now a midfielder.

That sports-idol-spawned montage may sound a little like another Nike ad from elsewhere in the W+K universe. Last year, "Ripple" featured Rory McIlroy training his way through the years to play along Tiger Woods, after seeing and admiring the elder golfer as a child—created by the agency's Portland office.

This spot, if equally heartfelt in its own way, is less somber and more upbeat. In fact, it's almost carnivalesque, with the titular, metaphorical spark visualized as a literal meteoric explosion in a galaxy that's contained inside young Matuidi's eyeball, and the grownup version of him taking on proportions of celebrity well beyond his skills in the game.

He's not just a soccer star—he's a fashion icon and cultural force, whose victory-dance moves on the pitch serve as a source of inspiration for the likes of popular French hip-hop artist Niska.



Overall, it's a fun ad, glued together by an especially on-point choice of background music, Earth, Wind & Fire's "Shining Star." It's not only a perfect lyrical fit for the concept, but has the kind of irresistibly charming groove that in and of itself suggests everything is going to turn out well in the end.

Also, its indomitably happy sound, when coupled with the modern imagery of the spot, doesn't even seem dated, and plays an outsized role in carrying a message—and tagline ("Fais Briller Le Jeu" in French)—that flirts with the kind of enthusiastic naïveté that can be tough to swallow.

To its credit, the ad doesn't shy away from the doses of drilling and running that were also essential to Matuidi's success—the kind of hard work with which McIlroy is also intimately familiar. But the whole ad is infused with the love for play that's at the heart of much of Nike's marketing.

The 90-second spot's true moment of brilliance, though, comes at the end—itself a new beginning—when the camera cuts to another future soccer star, glimmering as he watches Matuidi celebrate a goal.

CREDITS
Client: Nike
Ed Collin: Senior Brand Communication Director, Nike EMEA
Nick Kettelhake: Brand Communications Director, Nike WE
Jean-Luc Bragard: Brand Communications Manager, Nike WE

Agency: Wieden + Kennedy Amsterdam
Executive Creative Director: Eric Quennoy, Mark Bernath
Creative Director: Craig Williams, David Smith
Art Director: Sébastien Partika
Copywriter: Edouard Olhagaray
Head of Broadcast Production: Joe Togneri
Broadcast Producer: Elissa Singstock
Planner: Stéphane Missier
Communications Planner: Josh Chang
Digital Strategist: Greg White
Group Account Director: Kathryn Addo
Account Director: Tim Ryan
Account Manager: Jorge Fesser
Project Manager: Loes Poot
Business Affairs: Kacey Kelley

Production Company: Division Films
Director: Fleur+Manu
Director of Photography: Steve Annis
Producer: Jules de Chateleux
Executive Producer: Jules de Chateleux

Editing Company: Whitehouse Post London
Editor: Russell Icke

Audio Post: Wave Studios Amsterdam/ Grand Central Recording Studios London
Sound Designer/Mixer: Alex Nicholls Lee/ Raja Sehgal

Music:
Title: "Shining Star" (Sebastian Remix)
Original Artist / Remix Artist: Earth, Wind & Fire (Remixed by Sebastian)
Publishing & Master Recording: Sony/ATV & Sony Music Entertainment
Remix : Ed Banger Records

Postproduction: Glassworks Amsterdam
Flame: Morten Vinther (Head of 2d) Kyle Obley (VFX Sup/ Flame)
3D: Rudiger Kaltenhauser
Telecine: Daniel de Vue
Producer: Anya Kruzmetra, Christian Downes

Partner Agencies:
Media Agency: Mindshare Paris
Digital Agency: RGA London

Nike Just Made This Remarkable Farewell Ad to Kobe Bryant in China, Where He's Revered

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Love him or hate him, Kobe Bryant is a legend.

In China, they mostly love him—he's made a concerted effort, with Nike, to reach out to his Chinese fans over the past decade. And the Chinese have responded with adulation all but unmatched for American sports stars.

Now, with Bryant's last game fast approaching, Nike and Wieden + Kennedy Shanghai have created a stirring 60-second tribute commercial. And it's all about that love—which Bryant says might actually be a bit misguided.

Adweek responsive video player used on /video.



"Kobe has an intimate relationship with the Chinese ballers, so he knows exactly how to teach and motivate them," says Terence Leong, creative director of W+K Shanghai. "Together with Nike China and Kobe, our team crafted the script and made sure the film was just as provocative as the man himself. It was an intense and uncompromising process because Kobe was just as demanding on the creative team as he was on the Lakers."

W+K creative director Azsa West adds: "[Kobe] chose to focus on becoming a legend rather than being a hero. When it comes to winning, Kobe is willing to push himself to risk everything. Because standing back and doing nothing, that's real failure. This philosophy is very Nike 'Just do it,' and Kobe is the perfect person to deliver this spirit of Nike."

CREDITS
Client: Nike
Campaign: "Kobe Last Season"
Spot: "Don't Love Me, Hate Me"
Launch Date: 7 April 2016

Agency: Wieden + Kennedy Shanghai
Executive Creative Director: Yang Yeo
Creative Directors: Terence Leong, Azsa West
Copywriters: Nick Finney, Wei Liu
Senior Art Director: Shaun Sundholm
Senior Designers: Patrick Rockwell, Will Dai
Integrated Production Director: Angie Wong
Assistant Producers: Yuan Fang, Jiji Hu
Offline Editor: Hiro Ikematsu
Business Director: Dino Xu
Associate Account Director: Jim Zhou
Account Executive: Shawn Kai
Senior Planner: Paula Bloodworth
Digital Strategist: Bill Tang
Project Manager: Nicole Bee
Business Affairs: Jessica Deng, Kathy Zhan

Production Companies: Elastic TV; Lunar Films
Director: Biff Butler
Line Producer: Kelly Christensen
Director of Photography: Rachel Morrison
Executive Producer (Elastic): Belinda Blacklock
Managing Director (Elastic): Jennifer Sofio Hall
Executive Producer (Lunar): Ken Yap
Post Producer (Lunar): Jeff Tannebring

Editing: Rock Paper Scissors
Editors: Biff Butler, Alyssa Oh
Post Producer: Christopher Noviello
Executive Producers: Angela Dorian, Linda Carlson

Postproduction: a52
2-D Visual Effects Artists: Michael Vaglienty, Adam Flynn
Smoke Artist: Chris Riley
Conform: Gabe Sanchez
Rotoscope Artists: Tiffany German, Cathy Shaw, Robert Shaw
Colorist: Paul Yacono
Design: Pete Sickbert-Bennett
2-D, 3-D Animation: David Do, Steven Do, Claudia De Leon, Sam Cividanis
Senior Color Producer: Jenny Bright
Producer: Drew Rissman
Head of Production: Kim Christensen
Deputy Head of Production: Carol Salek
Executive Producer: Patrick Nugent

Original Music, Sound Design, Mix: Lime Studios
Original Music: Andy Huckvale
Mixer: Zac Fisher
Assistant Mixer: Kevin McAlpine
Executive Producer: Susie Boyajan

Nike Stars Line Up to Send Their Love (and a Bit of Hate) to Kobe Bryant on His Last Day

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Love and hate is Nike's big theme around the retirement of Kobe Bryant, who will play his 1,346th and final NBA game on Wednesday night. We saw this last week in this Nike spot from Wieden + Kennedy Shanghai in China, where Bryant is revered (but where, in the spot, he urged fans to consider hating him instead of loving him).

There's a similar polarizing feel in Nike's U.S. farewell to Bryant, which gets the player's friends and foes (the ones who are also Nike endorsers) to sound off about the the Lakers star. Nike has also declared April 13 to be "Mamba Day," a reference to Bryant's nickname, Black Mamba.

The stars in the black-and-white ad are asked which words come to mind in thinking about Bryant. They mostly end up saying positive things about him, with some respectful insults thrown in. Kevin Durant even calls Bryant an asshole, though it's bleeped out. (And Roger Federer, in a charmingly awkward moment that's typical of him, proudly tells of the Kobe emoji he came up with.)



There's a digital element to the campaign. If you visit nike.com/mambaday on a mobile device, you can choose "Love" or "Hate," enter a word you think best describes Kobe, and then build a poster of the word superimposed on any photo you upload.

Nike certainly got its endorsers in line for this project. The video features Kyrie Irving, Russell Wilson, Allyson Felix, Elena Delle Donne, Odell Beckham Jr, Paul George, Rafael Nadal, Paul Rodriguez, Natalie Anchonwa, Kirani James, Michelle Wie, Richard Sherman, LeBron James, Neymar Jr, Serena Williams, Roger Federer, Phil Jackson, Sanya Richards-Ross, Tiger Woods, Clay Mathews, NaVorro Bowman, Brooks Koepka, Kevin Durant, Rob Gronkowski, Ali Krieger, Rory McIlroy, Gerard Pique, Eric Koston, Shao Ting, Javier Mascherano, Yi Jianlian, Andres Iniesta, Marcus Mariota and Mo Farah. 

Kobe Bryant Is a Maestro to the End in Nike's Quirky Musical Sendoff 'The Conductor'

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Advertisers have been saying goodbye to Kobe Byrant, who plays his final NBA game on Wednesday night, with either comedy or drama.

But Nike, which has always prided itself at balancing both, offers a mix in "The Conductor," a just-released spot that portrays the retiring 37-year-old Laker as an orchestra conductor fully in control of an arena of players, coaches and unruly fans—lovers and haters alike.

The spot, created by Wieden + Kennedy in Portland, Ore., and directed by Mark Romanek, also features Phil Jackson, Paul Pierce, Rasheed Wallace, Benny the Bull and fans representing nine basketball teams.

Check it out here:



As in Nike's earlier tribute to Bryant, starring the brand's other endorsers, the theme here is the love and hate that Bryant has experienced over the years—depicted in the new spot by the "symphony of cheers and jeers" across the stadium, as Nike puts it.

The spot has a goofy theatricality to it that actually recalls W+K's Old Spice work, particularly the "Momsong" and "Dadsong" spots, which were also musicals. But while it walks that line, "The Conductor" is also clearly not a parody—but rather illustrates "how hate has manifested into respect and admiration for Bryant," Nike says. 

Beginning at tipoff tonight, fans will also be able to customize and purchase a limited-edition of the KOBE 11 Mamba Day NIKEiD shoe. The final NIKEiD shoe of his pro career will feature a graphic highlighting eight notable career stats (see below).



We'll have more on Bryant's retirement, and marketers' handling of it, later today.

CREDITS
Client: Nike

Project: The Conductor

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Alberto Ponte and Ryan O'Rourke
Copywriter: Josh Bogdan and Nathaniel Friedman
Art Director: Jacob Weinstein
Producer: Matt Hunnicutt /Molly Tait Tanen/Mauricio Granado

Director: Mark Romanek
Production Company: Anonymous Content
Executive Producers: SueEllen Clair, Eric Stern
Producer: James Graves
Director of Photography: Greig Fraser

Editorial Company: Exile
Editor: Eric Zumbrunnen
Post Producer: Brittany Carson
Post Executive Producer: CL Weaver

VFX Company: MPC LA
VFX Supervisor: Michael Gregory
Lead Compositor: Brian Williams
Executive Producer: Lexi Stearn
VFX Producer: Brian Friel
Colorist: Mark Gethin

Music+Sound Company: Beacon Street Studios
Composer: Andrew Feltenstein & John Nau
Sound Designer: Rommel Molina
Song (if applicable): "I've Been Hating You Too Long To Stop Now"
Producer: Leslie DiLullo

Mix Company: Beacon Street Studios
Mixer: Rommel Molina

Nike Tells Greek Athletes to 'Just Do It' Amid Crumbling Ruins of Country's Olympic Venues

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Nike is weighing in on the Greek economic crisis with a haunting new ad featuring four competitive athletes from the debt-stricken country. 

It's a visually arresting piece, set in desolate venues from the 2004 Athens Olympics—expensive projects that have fallen into disrepair, becoming symbols of short-sighted government overspending in the years leading up to the nation's current predicament. 

In the ad, swimmer Eleni Hatzimitrou, Paralympic runner Michalis Seitis, NBA player Giannis Antetokounmpo and pole vaulter Nikoleta Kyriakopulou prepare to ply their craft. A voiceover, delivered in Greek, spits defiance as the tension builds. 

"We will not be defined by circumstance," read the English captions. "We will not be undone by what is broken. We are more than our surroundings. We are the makers of our fate."

The athletes take off as lightning crackles in the background and war drums beat with enough drama for a high-budget Hollywood movie based on an ancient Greek myth. 

Nike's classic tagline, "Just do it," follows as Antetokounmpo lands after a crushing dunk. 



The company's Greek marketing department created the ad with Wieden + Kennedy Amsterdam, hoping to inspire the country's athletes, amateur and professional alike. Its goal also includes showing "young people how sport can motivate them to improve their everyday lives, and help them to beat the odds and take ownership of their future," the brand says. 

That's an admirable purpose. Greek youth were hit particularly hard by dire fiscal straits, with almost 52 percent of 15- to 24-year-olds out of work—double the overall unemployment rate of 24.4 percent.

It's nice that the sportswear maker wants to send a positive, empowering message. Whether it oversimplifies the complexity of Greece's current problems is another question. Nike avoids explicitly mentioning the financial crisis and its unpleasant byproducts—in essence arguing they shouldn't matter. But the allusions (and implications) seem clear enough.

With ongoing bailout negotiations tangled up in the politics of the IMF, the European Union and its member nations—and domestic anger over the brutal effects of government cuts tied to earlier bailouts—the situation is not one in which bootstrapping (or playing professional sports) seems like a workable solution for millions of people who need to make a living. 

That, coupled with the fact that the ad's ultimate purpose is to sell shoes, swimsuits and the like, makes its timeless and direct tagline ring unusually awkward, even if the ad is a fittingly epic homage to Greek athletic history—and Nike's own namesake, the goddess of victory.

CREDITS
Client: Nike

Agency: Wieden + Kennedy Amsterdam
Executive Creative Director: Mark Bernath, Eric Quennoy
Creative Director: David Smith & Craig Williams
Art Director: John Filipe
Copywriter: Bern Hunter 
Head of Broadcast Production: Joe Togneri
Broadcast Producer: Stijn Wikkerink
Communications Planner: Josh Chang
Planner: Stephane Missier
Group Account Director: Kathryn Addo
Account Director: Amber Martin
Account Manager: Luke Purdy
Studio Artist: Cindy Kouwenoord
Project Manager: Janna Harrington, Loes Poot
Business Affairs: Niels Hagels

Director: John Filipe (Wieden+Kennedy Amsterdam)
Editor: Robin Pijpers  (Wieden+Kennedy Amsterdam)
Producer: Stijn Wikkerink (Wieden+Kennedy Amsterdam)

Production Company: Stefi&Lynx Productions
Director of Photography: Leandro Ferrão
Executive Producer: Fay Katsari

Sound Designer/Mixer: Rens Pluym / Joep Meijburg

Music: Artist / Title: Sanjiv SEN / Makers of Fate
Music Company: SCHMOOZE

Postproduction: Ambassadors
Flame: Bas Moonen
VFX: Stephen Pepper, Bas Moonen
Telecine: Brian Krijgsman
Producer: Wiarda Postma, Daphne Litjens

One Tough Hijabi Stars in Nike Training's Latest Ad About Inner Strength

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Female weightlifter Amna Al Haddad appears in the latest online documentary for Nike Training's "Inner Strength" series. The young athlete hails from the United Arab Emirates and hopes to qualify for Rio 2016. 

The black-and-white video depicts Al Haddad working out, hijab in place and Nike gear on point (all of which you can buy here). As she drops and lifts terrifyingly heavy weights, she reflects on who she is, what she represents, the spiritual act of weightlifting itself, and what people can learn from her.

Al Haddad's story is well-chosen for reasons both obvious and not: She's a Muslim woman in a male-dominated sport, but just years ago, she was also a journalist with an unhealthy lifestyle who decided to change her situation. 

"I realized I have a competitive spirit in me," Al Haddad says of pursuing bodybuilding, weightlifting and even Crossfit. "That changed my view of strength sports for women." 



And for those who perceive weightlifting as a mindless bro sport, she's got something to say about that, too: Mindlessness is perhaps the point, and that isn't a bad thing.

"You have the weight on the floor, and then bam—it's over your head. That moment in between is non-existent," Al Haddad muses. "You can feel every aspect of the bar, and the two of you become one. It's kind of like meditation." 

Her calm voice, mischievous demeanor, and projected strength credibly address three different targets: Westerners who've never actually spoken to a veiled woman; people whose notions of sports are still framed by gender dynamics; and women who need a lift—particularly veiled women who want to be seen as more than their gender, and more than a headscarf. 

It's a story that's particularly poignant in light of the cultural tug-of-war currently happening in the Middle East, which is trying to strike a coherent balance between its own organic evolution and Western culture. 

A recent survey of Arab youth reported a growing desire to improve personal freedoms and human rights, especially for women, whose rights are fractured at best across the region: In Saudi Arabia they can vote (as of last year) but not drive, for example. 

But the United Arab Emirates is in some ways a model for the women's rights charge: It granted limited suffrage to both men and women in 2006, and last year it elected the first woman in the Arab world to head the National Council. It also has a female foreign ambassador to the United Nations, Lana Nusseibeh, who believes in using the rule of law to empower women.

The hijab itself makes potent fuel for this conversation on the ground floor, particularly in sports. Is it an imposition or a choice? And if it's a choice, does its charged role in a patriarchy make that choice demeaning? 

As Al Haddad says, "I don't normally show all aspects of my personality, but as I keep saying, there's a lot going on under my hijab. I'm a complicated individual, OK?" 

So is the role of the headscarf, for spectators and Muslim women alike. One in five Muslim women exercise at least once a week, which sounds pretty good, but is actually lower on average than any faith group. So it means something to see a relatable human up there on an Olympic platform; it may actually change behaviors.

Thankfully, Al Haddad isn't the only one representing covered ladies—although there remain too few like her. For the 2016 Summer Olympics, fencer Ibtihaj Muhammad will be the first Muslim-American woman to compete in hijab. (In fact, she's always worn it under the mask—but now she'd like everybody to know.) There's also the hijab-sporting Emirati figure skater Zahra Lari, who, despite embracing her role as a symbol of feminine, ethnic and religious perseverence, was nonetheless criticized by another Muslim woman, journalist and author Farzana Hassan, in the Toronto Sun, for not being brave enough to remove it.

It's a complicated subject, but again Al Haddad has perhaps the most apt words for it.

"I'm someone who broke a lot of barriers for Muslim women," she says toward the end of the Nike video. "There's a lot of resistance, a lot of rejection. But when that is happening, you know you are tapping on something that's untouched, and that's when you start to pave a path for others. That pushes me." 

The "Inner Strength" series launched in March of last year, with an episode featuring golfer Rory McIlroy. Since then, it's spoken in the voices of footballer Marcus Mariota, surfer Nat Young, Olympian lifter Mat Fraser, Decathlon world and Olympic champion Ashton Eaton, basketball star Kyrie Irving, and even actor/comedian Kevin Hart, who gets up at 5:30 every morning to get in shape.

Al Haddad is the first woman the project has featured. Her story will appear on Nike Training's Twitter and Instagram channels, as well as the blog, where, as mentioned, you can score her gear.


Nike Is Giving Away Kyrie Irving's New Sneaker Boxed Up Like Krispy Kremes

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Kyrie Irving has an arsenal of secret tricks that make him great at basketball, but his latest reveal may be his most surprising edge yet—his own personal donut. 

In a new R/GA ad from Nike's Kyrie 2 sneaker, the Cleveland Cavaliers point guard promotes a special-edition design of a Krispy Kreme-themed shoe—the Ky-Rispy Kreme. 



A traveling truck, meanwhile, has been distributing small numbers of the glaze-and-sprinkle-themed shoes in Cleveland, Baltimore, Manhattan and Brooklyn.



The commercial, which is part of R/GA's "Unexpected Moves" campaign for Nike, joins other spots featuring Irving's hard-to-explain wordplay-driven advantages, like an arcane math equation, the ability to turn into a human torch (which anyone who grew up playing NBA Jam will especially appreciate), or unique karaoke powers—certainly one of the best fake mid-game celebrations ever.

In this particular instance, it's great to watch Irving stuff his face with sugar-laden rings while trying to explain why they—or rather, their rubber-soled offspring—are so important.

A string of onscreen question marks, marking an inability to translate his donut-muffled praise, makes for a brilliant sneaker-head sales pitch ... because in the end, the performance doesn't really matter so long as they look good, and they do.

CREDITS
Client: Nike
Campaign: Kyrie 2 "Unexpected Moves"
Spot: "Unexpected Move #79 – The Kyrispy Kreme"
Agency: R/GA

Nike's Coffee-Looking Shoe Will Go Nicely With the Krispy Kreme One

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There's probably a sizable crossover between people who drink Starbucks regularly and people who wear Nikes. But unless they also like ugly shoes, the Nike SB Dunk Low sneaker is going to be a bust. 

The retro-style shoe has the same mocha and kelly green color scheme as the Starbucks logo, and some swirly, camouflage-looking embellishments for good measure. It was inspired by coffee, according to The Boombox, and Premier, which is selling it, has been using Starbucks cups in its product shots. (This is not an official Nike-Starbucks partnership.) 



They're like a companion piece for the equally baffling Nike Krispy Kreme and waffle-inspired sneakers, but there's otherwise no pressing reason for this pairing. It falls in line with a recent trend of apparel brands making junk-food-themed stuff, which in and of itself is kind of embarrassing.

Ad of the Day: Cristiano Ronaldo Swaps Lives With a Kid in Nike's Epic Euro 2016 Film

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The only way England will produce its own Cristiano Ronaldo is if the Portuguese superstar accidentally crashes into a young British fan at a game and—in a bit of Freaky Friday style body switching—inhabits the kid for a few years, until he can become a star. 

That, at least, is one way to interpret the cute and amusing plot line of "The Switch," Wieden + Kennedy's epic Nike film for Euro 2016. 

The work is classic Nike—that familiar mix of mix of flash and humor, with loads of cameos by other pro footballers and delightful details at every turn. (At 5:57, it's also Nike's longest-ever brand film, eclipsing 2014's "The Last Game" by 30 seconds.)  

It was directed by Ringan Ledwidge, a bit of a superstar himself, who counts the Guardian's "Three Little Pigs" and Nike's "Winner Stays," from the 2014 World Cup, among his big advertising scores. 

It's a little odd for the world's biggest sports marketer, in 2016, to have a head injury be the precipitating event in a long-form comedy. But once the action gets going, the production is pretty irresistible, and the circular pattern of the spot—anchored by The Heavy's pulsating track "Turn Up"—brings everything nicely full circle. 



The spot took five days to film in Spain, says Nike, which claims it was the most extensive brand shoot that the 31-year-old Ronaldo has ever done for any company.

American audiences also get a nice treat with the inclusion of Megan Rapinoe, the U.S. women's national team midfielder, who is seen on stage in the light-colored suit in the award scene. ("She made the most of production pauses by switching into sneakers and juggling between takes," Nike says.)

The other pros who make cameos are Raheem Sterling, Joe Hart, Harry Kane, Chris Smalling, John Stones, Ross Barkley, Ricardo Quaresma, Andre Gomes, Jose Fonte, Cedric Soares, Vieirinha, Raphael Varane, Anthony Martial, Sergi Roberto and Javier Mascherano.

Ronaldo's co-star, 16-year-old Gerson Correia Adua, was actually the understudy for the film, but took the starring role when the original actor hurt his leg in a car accident (he does get an appearance at the 5:15 mark). 

Nike ads are highly anticipated around every major soccer tournament, and this one certainly doesn't disappoint. Now, if the English can employ some Ronaldo-esque wizardry for real, they might do a little better at Euro 2016 than they did in the last World Cup.

CREDITS
Client: Nike
Agency: Wieden + Kennedy
Director: Ringan Ledwidge

Ad of the Day: Cleveland Fans Are Stunned to Be Champs in Nike's Salute to the Cavaliers

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The Cleveland Cavaliers have reached the playoffs 20 times in their 46-year history. But on Sunday night, they finally reached the promised land—winning the NBA title on their third trip to the Finals. Cavaliers fans could be forgiven for not quite believing that the day had come. 

That's the theme memorably illustrated in this new Nike spot from Wieden + Kennedy in Portland, Ore. "Worth the Wait" shows fans from around city—as well as the team's top players, including LeBron James, Kyrie Irving, Kevin Love and J.R. Smith—celebrating their long-awaited triumph. 



The theme isn't new—it brings to mind BBH's great spot about Andy Murray's Wimbledon victory in 2013, which ended a drought of 77 years for British male singles champions there. But it feels like the perfect tribute to Cleveland—the team and its fans. 

And of course, if things had gone south on Sunday, it never would have aired at all. 

CREDITS
Client: Nike
Agency: Wieden + Kennedy, Portland, Ore.

5 U.S. Olympians You Should Follow on Social Media During the Summer Games

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Olympic athletes competing this summer in Rio will have plenty of opportunities to go for gold, both on the field and online. Social media will play an even bigger role than ever before, given the ascendance of Twitter, Snapchat, Facebook Live and Periscope since the last Summer Games were held. So it will be critical for athletes to spend time on these platforms to both connect with their fans and also to pitch the brands sponsoring them.

While a tweet might not be comparable to a 30-second spot, sports marketing analysts say that the total value social media can bring to brands is no small sum. Athletes with a lot of followers can make a lot of money, explained Bob Dorfman, executive creative director at Baker Street Advertising in San Francisco. "People who follow these athletes really pay attention to what they do, what they wear, what they buy," he told Adweek. "So yes, it's a very lucrative category."

But a bad tweet can get an athlete disqualified faster than a false start. In 2012, a Greek triple jumper was banned from the London Games after tweeting racist remarks about African athletes. A few days later, a Swiss soccer player was kicked off the team after a racist tweet following a loss to South Korea.

So how should athletes handle their social media in a way that brings insight to fans, value to brands and dignity to themselves and their countries? With tact and vigilance, say experts.

Athletes should stay positive before, during and after the games, Dorfman advised. For instance, competitors might post about training, the Brazilian food, the other athletes or anecdotes from life back home—and steer clear of the ongoing Zika outbreak, the U.S. presidential race or problems with Olympic facilities. Also, of course, they'll want to keep it clean.

"You don't want to have a Michael Phelps bong experience," Dorfman noted.

Here, Adweek selects five U.S. Olympians to follow on social media this summer.

Paul George

        

 Getty Images

George is the U.S. Olympian at the top of the MVPindex list, which measures an athlete's visibility and likeability. With millions of followers —on Twitter (1.4 million), Facebook (3.3 million) and Instagram (3.4 million)—the Indiana Pacers All-Star publishes promotional posts and insights about his life, his team and his friends. George will be the cover athlete for the video game NBA 2K17, which launches Sept. 20. In May, he teamed with Papa John's for a burger-pizza social campaign.

Gabby Douglas

        

 Getty Images

Olympic all-around gold medalist Douglas is expected to head to Rio with 809,000 Twitter followers and 917,000 Instagram followers, and while it's hard to tell if a tweet is worth more than being on the front of a cereal box, MVPindex says the gymnast has already generated $57,000 in social media value for Nike in just eight posts about the brand. As she defends her gold medal title this summer, Douglas' sponsors AT&T, Procter & Gamble and Citigroup will no doubt be cheering her on.

Michael Phelps

        

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As the most decorated Olympian of all time, Phelps' six Instagram posts for Under Armour have generated $278,000 in marketing value for the company, said MVPindex. According to Nielsen, Phelps' awareness score is way above the average athlete's, though his likability score falls below average. The swimmer's fans tend to spend a lot of money on sports equipment, around $500 a year, per Nielsen, which clearly makes the Under Armour sponsorship a perfect fit. Phelps also medals on social, with 1.6 million Twitter followers, 891,000 followers on Instagram and 7.7 million likes on his Facebook page.

Kerri Walsh Jennings

        

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The three-time Olympic volleyball gold medalist will be hitting the sand yet again in Rio, pairing up with April Ross (who recently has taken to Twitter herself to promote Mizuno and Smucker's). Earlier this month, Jennings became the first brand ambassador for Jessica Alba's The Honest Company and will help promote its sunscreen under the Brazilian rays. It's likely that the 145,000 people on Twitter, 204,000 on Facebook and 93,000 on Instagram who follow Jennings will be learning more about that soon, along with other posts about volleyball, family and inspirational messages.

Lolo Jones

        

 Getty Images

In addition to all the Olympic insight you might get from the hurdler, Jones is full of jokes for her followers on Twitter (417, 000), Facebook (410,000) and Instagram (297,000). Sponsors include Asics and Red Bull, and in March, she posted a sponsored photo on Instagram that showed her as a Mii character for Nintendo 3DS. Jones also recently shot a Snapchat commercial for Red Bull.


This story first appeared in the June 27, 2016 issue of Adweek magazine.
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Ad of the Day: W+K India's First Nike Ad Celebrates the Power of Sport in Women's Lives

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Sport in India has a massive image problem, particularly for women." So says Mohamed Rizwan, creative director at Wieden + Kennedy India. 

This represents an interesting challenge for a client like Nike. "What we set out to do is give it a complete makeover by making it cool, accessible and fun," Rizwan says. "To that end, we commissioned some of the best image makers and musicians, and got together a crew of women that best represent sport in India right now." 

The result is "Da Da Ding," a powerful video that unites the talents of rapper Gizzle, director François Rousselet and producer Genera8ion (known for working with M.I.A.). 

The music sets a dramatic pace, while a multitude of women reflect the diversity of India and of sport itself: You can run, dance, box, play tennis; the mere act of exertion makes you a member of this team. 

Among the ad's stars are national hockey player Rani Rampal, surfer Ishita Malaviya and Indian film actress Deepika Padukone (a former national badminton player)—a trio the agency calls "the ultimate girl sport squad."



The spot successfully fuses elements of Indian pop culture—its music, rhythm and beats—to Nike's carefully crafted universal spirit: It makes mere movement feel revolutionary. In the same way listening to M.I.A. makes us want to rob banks in a convertible, it inspires a weird desire to do reps, or get into parkour. 

"Da Da Ding" also doesn't shy away from physicality: Its depictions of the violence inherent in contact sports follow other sports ads that increasingly remind us women aren't made of porcelain; we can throw punches—and even bleed—with the best of them.

Nike and W+K have deep roots. All of Wieden's offices—eight globally—work on the brand, but this ad marks the Delhi office's debut effort for Nike India since winning the business in 2015. Their exertions don't stop with a slick, high-energy video; modeling the music industry, they also created album artwork and co-wrote the lyrics with Gizzle. 

Elsewhere, photographer Aman Makkar has been tapped to shoot portraits of everyday athletes, national athletes and Nike NTC trainers; and on Instagram and Dubsmash, "girl sport squad" members will upload inspiring workout videos and stories. 

According to Nike, "Da Da Ding" recalls sociological evidence that female participation in sports helps self-image, building on a sense of control, competency and strength.

"Everything I am today, and everything I have achieved, comes from my years of playing sport," says Pakudone, the actress—and former badminton player—in the video.

"My goals, my commitment, my focus, my dedication, my discipline, my sacrifices, my hard work ... I've learned it all through sport. Sport has also taught me how to handle failure and success. It has taught me how to fight. It has made me unstoppable!" 

The photo at the top of this post features (l. to r.) Joshna Chinappa, Shweta Hakke, Rani Rampal, Gabriella Demetriades, Ishita Malaviya, Jaie Bhadane, Deepika Padukone, Naina Mansukhani, Swetha Subbiah, Jyoti Ann Burrett and Tanvie Hans.

Above is Deepika Pakudone, the actress and former national badminton player, whose father is also internationally renowned for the sport.

And this is Rani Rampal, who at 15 became India's youngest national field hockey player back in 2010.

CREDITS
Client: Nike India
Agency: Wieden + Kennedy, Delhi
Executive creative directors: Kim Papworth, Susan Hoffman
Creative Director: Mohamed Rizwan
Writer: Ankita Tobit
Art Director: Anyaa Dev
Account Director: Aparna Battoo
Account Manager: Jayaram Shankar
Agency Producer: Deb Drumm
Director of Emerging Markets: Karrelle Dixon
Managing Director: Patrick Cahill
Global Planning Director: Andy Lindblade
Planner: Michelle Arrazcaeta
Global Media Planning Director: Danny Sheniak
Production company : Division
Director: François Rousselet
Executive producer: Jules de Chateleux
Editor: Tom Lindsay, Trim Editing
DOP: Matias Boucard
Music: Da Da Ding - Gener8ion, feat. Gizzle (vocals)
Photographer: Aman Makkar

Ad of the Day: Nike Gives Babies a Stirring Speech on Unfairness, Ambition and Triumph

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The marketing side of sports is banking hard on origin stories of late. Obviously, cute babies help too.

Nike's "Unlimited Future," by Wieden + Kennedy, opens on a nursery full of future sports stars, including diaper-clad LeBron James, Serena Williams, Neymar, Zhou Qi and Mo Farah. The babies gurgle to the faint music of Chopin's Berceuse, Op. 57, playing from a plastic radio.

Then the door swings open. Brusquely. A man in a suit and leather shoes stops the jam, and the crowd goes silent.

It's actor Bobby Cannavale. And he's shaken off the stale mothball stink of Vinyl.

"Listen up, babies!" he growls, before kicking off the motivational speech that will shape these tiny future-athlete brains in ways that would make Freud fist-pump (as a lone baby does, at the very end).

Have to say, Cannavale gives good speech. He pulls no punches, beginning with the one fact that precedes all others: "Life's not fair."

And from there, he leans in:

You get no say in the world you're born into. You don't decide your name. You don't decide where you come from. You don't decide if you have a place to call home, or if your whole family has to leave the country. (Yeah, it's messed up.) You don't decide how the world judges a person like you. You don't decide how your story begins. But you do get to decide how it ends.

A baby rises to its feet. Cannavale tilts his head toward him. "Yes!" he shouts. Then there's the beat-drop, and roll to copy: "Unlimited Future."

It's an elegant, simple ad that's wily in its storytelling. The tricks are clear: You've got a TV face and a room full of babies. But its persuasiveness rests on the conviction Cannavale pours into those words, and the muttony faces of all those complacent tots, who seem to react as he punctuates hard truths.

No baby talk here. Life is harsh, it won't coddle you, and there is no one to blame for the fact that you'll face stuff you didn't ask for and probably don't deserve. But you can still decide the outcome of your own adventure, and sometimes knowing that makes the difference.

That message thankfully doesn't take itself too seriously or lean on the sense of manifest destiny that so often infects the athlete origin story (from Usain Bolt's preternatural speed to Ronda Rousey's youthful affinity for judo)—apart from name tags, no evidence suggests any child is more talented than others in the room. 

They're just babies, taking what won't be their first hard knocks. And though we know this is a ridiculous fiction, it may tint our sense of who those athletes are.

Because in the real world, they're not just stars; they're gladiators—people who, like us, relearn those lessons every day while trying, by the force of their own bodies, to carve paths out of the deep trenches of circumstance.

It almost feels like Dickens. If Dickens were concise, and wanted us to buy Flyknit.

CREDITS

Client; Nike
Title: "Unlimited Future"
Client contacts: Ean Lensch, YinMei San, Amber Rushton

Agency: Wieden + Kennedy, Portland, Ore.

Global Creative Directors: Alberto Ponte, Ryan O'Rourke
Interactive Director: Dan Viens
Executive Producer: Matt Hunnicutt
Copywriter: Josh Bogdan
Art Director: Pedro Izique
Agency Producer: Erin Goodsell
Digital Producers: Patrick Marzullo, Keith Rice
Strategic Planning: Andy Lindblade, Nathan Goldberg, Reid Schilperoort
Media, Communications Planning: Danny Sheniak, John Furnari, Brian Goldstein, Jocelyn Reist
Account Team: Chris Willingham, Alyssa Ramsey, Corey Woodson, Anna Boteva, Carly Williamson

Production Company: Superprime
Director: Damien Chazelle
Executive Producer: Rebecca Skinner
Head of Production: Roger Zorovich
Line Producer: William Green
Director of Photography: Rodrigo Prieto
Production Designer: Melanie Jones
Casting: Dan Bell Casting

Editing Company: Exile
Editor: Eric Zumbrunnen
Assistant Editor: Dusten Silverman
Post Producer: Brittany Carson
Executive Post Producer: Carol Lynn Weaver
Head of Production: Jennifer Locke

Visual Effects Company: The Mill
2-D Lead Artist: Adam Lambert
2-D Artists: Joy Tiernan, Jason Bergman
Matte Painting: Rasha Shalaby
Visual Effects Producer: Alex Bader
Visual Effects Coordinator: Samantha Hernandez
Executive Visual Effects Producer: Enca Kaul
Shoot Supervisors: Phil Crowe, Tim Rudgard

Color Company: The Mill
Colorist: Adam Scott
Executive Producer: Thatcher Peterson
Color Producer: Diane Valera

Music Company: Beacon Street Studios
Composer: John Nau
Executive Producer: Adrea Lavezzoli
Music Company: Walker
Composer: Frédéric Chopin
Track Name: Berceuse, Op. 57
Arranger: McKenzie Stubbert
Executive Producer: Sara Matarazzo

Senior Producer: Abbey Hickman
Music Coordinators: Jacob Piontek, Marissa Hernandez

Music:
Artist: Santigold
Track Name: "Kicking Down Doors"
Music Supervision: Walker

Sound Design Company: Barking Owl
Sound Designer: Michael Anastasi
Creative Director: Kelly Fuller Bayett
Producer: Ashley Benton

Music, Sound, Mix Company: Lime Studios
Audio Mixer: Rohan Young
Audio Assistant: Ben Tomastik
Executive Producer: Susie Boyajan


Voiceover Narrator Totally Loses Control of This Awesome Nike Ad for the Olympics

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Nike athletes do such great things, even voiceover artists are surprised.

The athletic wear brand's "Unlimited" campaign, which launched last week with this baby-themed spot, really kicks into high gear today with "Unlimited You"—a long-form spot running as a 2:30 online and as a :60 on NBC's coverage of tonight's Opening Ceremonies of the Rio Olympics.

The spot, created by Wieden + Kennedy Portland and directed by The Daniels (aka, Daniel Kwan and Daniel Scheinert), has fun in particular with the voiceover, by actor Oscar Isaac. After talking up the potential of everyday athletes, in a playfully freewheeling way, for the first 60 seconds, Isaac tries to wrap up the spot—but the athletes have other ideas.

This leads to 90 more seconds of fun, with Isaac marveling at every new development, and every celebrity cameo, in a production where he's no longer in control whatsoever.



Among the athletes in the spot: Aaron Gordon, English Gardner, Giancarlo Stanton, Kevin Durant, Mo Farah, Neymar Jr., Nyjah Huston, Serena Williams, Su BingTian and Zach LaVine.

The "Unlimited" idea is meant to refer to the unlimited potential of both everyday and champion athletes, and to the endless possibility of the Nike brand's designs.

"Unlimited means never defining oneself by what came before," the brand says. "It means defying expectations, even one's own. Unlimited declares that there is no 'happily ever after' and there's no 'too far.' There's only 'What's next?' "

CREDITS
Client: Nike

Agency: Wieden + Kennedy, Portland, Ore.
Global Creative Directors: Alberto Ponte, Ryan O'Rourke
Interactive Director: Dan Viens
Copywriter: Edward Harrison
Art Director: Susan Land
Global Executive Producer: Matt Hunnicutt
Senior Agency Producer: Ross Plummer
Agency Post Producer: Shelley Eisner
Agency Production Assistant: Emily Knight
Digital Producer: Keith Rice
Art Production: Amy Berriochoa, Krystle Mortimore, Jennifer Spillers
Project Management: Christina Kim
Studio Design Manager: Alicia Kuna
Studio Designer: Edgar Morales
Retoucher: Frazer Goodbody
Motion Production, Design: Tori Herbst, Carlos Enciso
Strategic Planning: Andy Lindblade, Nathan Goldberg, Brandon Thornton, Reid Schilperoort
Media, Communications Planning: Danny Sheniak, John Furnari, Brian Goldstein, Jocelyn Reist
Account Team: Chris Willingham, Alyssa Ramsey, Corey Woodson, Anna Boteva, Carly Williamson

Production Company: Prettybird
Director: The Daniels
Executive Producers: Ali Brown, Suzanne Hargrove
Line Producer: Jonathan Wang
Director of Photography: Larkin Seiple
Production Designer: Mark Snelgrove

Editing Company: Rock Paper Scissors
Editor: Angus Wall
Assistant Editor: Lauren Dellara
Post Producer: Chris Noviello
Executive Post Producer: Helena Lee

VFX: The Mill
Senior Producer: Will Lemmon
Producer: Anastasia von Rahl
Production Coordinator: Rustie Burris
VFX Supervisor: John Shirley
Creative Director: John Leonti
2D Lead Artist: James Allen
2D Artists: Brad Scott, Alex Candlish, Peter Sidoriak, Rob Winfield, Joseph Zaki, Tommy Smith, Daniel Thuresson, Glyn Tebbutt, Sam Evenson, Don Kim, Jake Albers, Adam Lambert, Tim Robbins
3D Lead Artists: Chris Bayol
3D Artists: Charles Storniolo, Dan Warom, Matthew Longwell, Sharlene Lin, Ziye Liu, Michael Lori, Jenna Kind, Monique Espinoza, Mike DiNocco, Sharlene Lin
Matte Painting: Andy Wheater, Jie Zhou
Art Support: Dylan Streiff, Gary Marschka

Color: The Mill
Executive Producer, Colour: Thatcher Peterson
Color Producer: Diane Valera
Colorist: Gregory Reese

Music
Artist: FNDTY
Track Title: "Never Die"

Music, Sound, Mix: Lime Studios
Audio Mixers: Rohan Young, Jeff Malen
Audio Assistants: Ben Tomastik, Lisa Mermelstein
Executive Producer: Susie Boyajan

Nike's Latest Ad Stars Chris Mosier, the First Transgender Athlete on a U.S. National Team

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Chris Mosier, the first transgender athlete to make a U.S. national team, is the star of Nike's latest 30-second spot.

The effort, from Wieden + Kennedy in Portland, is part of the company's "Unlimited" series, which is timed to the Olympics and highlights "everyday athletes and the champion athletes who regularly push their limits." 

Given Mosier's "unlimited determination and spirit to become the first openly trans athlete to earn a spot on a U.S. men's national team," as Nike notes, it makes sense that the film is titled "Unlimited Courage." 

The ad, which breaks the fourth wall and features a conversation between the narrator and Mosier that directly addresses the fact that Mosier is trans, showcases Mosier in all of his triathlon events. It premiered during NBC's primetime coverage of the Olympic games Monday night.

"Everything that I've done in the last five, six years since I started to transition, has been with [a] 'Just Do It' mindset," Mosier said in a statement. "I didn't know if I would be competitive against men; I just did it. Every success that I've had since then has shown me that anything is really possible. By not stopping myself, not limiting myself and just really going for it, I've learned a lot about myself and also had the opportunity to further the conversation on trans inclusion in sports."

Mosier added: "Being the first trans man on a U.S. men's national team was a dream come true for me. I always wanted my name on a jersey. To represent our country at the highest level, in my sport, is just outstanding. It's just such an amazing opportunity—and an amazing opportunity for other people to see themselves reflected in someone succeeding in sports as a trans man."

CREDITS
Client: Nike
Project Name: Unlimited Stories (Unlimited Courage)
Format + Titles: Unlimited Courage

Agency: W+K PORTLAND
Global Creative Directors: Alberto Ponte, Ryan O'Rourke
Interactive Director: Dan Viens
Copywriter: Adam Tetreault
Art Director: Sara Phillips
Global Executive Producer: Matt Hunnicutt
Senior Agency Producer: Ross Plummer
Agency Producer: Mauricio Granado

Art Production: Amy Berriochoa, Jennifer Spillers
Project Management: Christina Kim
Studio Design Manager: Alicia Kuna
Studio Designer: Rehanah Spence, Edgar Morales
Retoucher: Amy Corcoran, Kyle Pero, Saskia Thomson, Greg Radich
Strategic Planning: Andy Lindblade, Nathan Goldberg, Brandon Thornton, Reid Schilperoort
Media/Comms Planning: Danny Sheniak, John Furnari, Brian Goldstein, Jocelyn Reist
Account Team: Chris Willingham, Alyssa Ramsey, Corey Woodson, Anna Boteva, Carly Williamson
Business Affairs: Amber Lavender
Broadcast Traffic:  Stefanie Goodell, Andrea Sierra

Production
Production Company: PRETTYBIRD
Director: Max Malkin
Executive Producer: Ali Brown, Suzanne Hargrove
Head of Production: Tracy Hauser
Line Producer: Matt Wersinger
Director of Photography: Max Malkin
Production Designer: Rob Pearson

Editorial
Editorial Company: Rock Paper Scissors
Editor: Damion Clayton
Assistant Editor: Mike Spagnolli
Post Producer: Dina Ciccotello
Executive Post Producer: Helena Lee

VFX
VFX Company: Mill LA
Creative Director: Phil Crowe / John Leonti
2D Lead Artist: James Allen
2D Artists: John Shirley, Brad Scott, Alex Candish,
3D Artists: Andy Wheater, Jie Zhou, Michael Lori
VFX Producer: Anastasia von Rahl,
VFX Coordinator: Rustie Burris
VFX Executive Producer: Enca Kaul

Color
Company: Mill LA
Colorist: Adam Scott
Producer: Diane Valera
Executive Producer: Thatcher Peterson

Licensed Music
Musical Artist: Sandy Nelson
Track Name: Drums Are My Beat

Sound Design
Sound Design Company: Barking Owl Sound
Sound Designer: Michael Anastasi
Creative Director: Kelly Bayett
Producer: Ashley Benton

Mix
Music/Sound/Mix: Company Lime
Audio Mixer: Loren Silber
Audio Assistant: Mark Nieto
Executive Producer: Susie Boyajan

How Nike Brilliantly Ruined Olympic Marketing Forever

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Unless you happen to be a company like GE, Coca-Cola or McDonald's—a brand that can afford the reported $100 million to $200 million it costs to be an official Olympic sponsor—you'd better not mention the Rio games in your marketing.

 

As social-savvy marketers have quickly learned, the U.S. Olympic Committee has ironclad regulations, backed by U.S. trademark law, that restrain nonsponsoring brands from saying anything even vaguely evocative of the Olympics. A casual mention of Rio on Facebook? A congratulatory tweet to a gold medalist? Even tweeting the term "gold medal"? Don't do it.

"There's a good chance they'll come after you, especially if you're using what they consider their intellectual property," said Jim Andrews, svp at sports and entertainment marketing agency ESP Properties. "Most brands don't do it because it's not worth the risk." The IOC reportedly has a pack of lawyers waiting to pounce on any brand that runs afoul of its rules.

But have you ever wondered how those rules got so ridiculously tight?

The IOC has zealously guarded its trademarks for decades, of course, but if there was one tipping point, it happened 20 years ago, during the 1996 Summer Olympics in Atlanta. And on July 29, 1996, two pieces of history were made—the athletic kind and the marketing kind.

A Golden Opportunity

Johnson in his gold Nikes.  Photo: Getty Images

That afternoon, sprinter Michael Johnson took the gold in the 400-meter dash after finishing in 43.49 seconds. Tall, muscular and graceful, Johnson blew past his competitors as though they were standing still. Adding to the mesmerizing effect were the gold-colored shoes that Johnson wore on the world's fastest feet—a $30,000 pair of lightweight racing spikes given to Johnson by Nike.

Not only did millions of TV viewers see those Nike shoes on their screens, millions of Americans saw those same shoes slung around Johnson's neck a few days later on the cover of Time. It was hard to imagine a more successful piece of marketing for any Olympic sponsor.

Except for one little problem: Nike wasn't an Olympic sponsor.

Instead of paying for an official sponsorship, Nike decided it could get its brand into the 1996 games in other ways—and Johnson's gold shoes were just the beginning.

The brand opened an outsized "Nike Centre" right beside the athletes' village. Nike also distributed flags to fans, guaranteeing that its swoosh logo would be in full view all over the property.

Such tactics infuriated Reebok, which had ponied up a reported $50 million to become an official sponsor, and had a similar effect on Olympic officials.

What's more, according to veteran sports marketer and Columbia University professor Joe Favorito, Nike's marketing shenanigans were largely responsible for Olympic officials taking a hard line on nonsponsoring brands getting anywhere near the Olympics in their marketing. (The United States Olympic Committee did not respond to Adweek's request for comment for this story.)

What Nike did in Atlanta 20 years ago, Favorito said, "directly resulted in the much more stringent guidelines that both the IOC and the USOC have out there today. Anyone who goes over the line will be pushed back."

Nike Centre opened up right beside Olympic Village in Atlanta. Photo: Getty Images

If the IOC is showing its teeth to transgressor brands today, it cut those teeth in 1996. But even though Nike did manage to get lots of cheap media exposure from its ambush marketing, the brand didn't exactly come out of Atlanta a winner.

Bold Moves and Backlash

Nike's marketing had a distinctly abrasive edge to it. For example, the brand's magazine ads blared: "If you're not here to win, you're a tourist." Nike also bought billboards space all over Atlanta to announce: "You don't win silver, you lose gold."

To some members of the public, such talk ran contrary to the spirit of good sportsmanship.

"Nike took a lot of flack for that campaign," Andrews said. "It wasn't in the spirit of the games. There's a lot of consumer love for the Olympics and the athletes, and that [marketing] just crossed the line for a lot of people."

Those people included many of the athletes and, of course, the USOC itself. Michael Payne was the marketing coordinator for the Olympics that year. As Payne recounts in his 2012 book Olympic Turnaround: "Athletes, who had devoted their life [sic] to training and just getting to the Olympics, were angry at being positioned as 'failures.' ... We weren't going to sit back and let Nike's ambush marketing undermine and trash the very spirit and essence of the Olympic ideal."

By Payne's account, the USOC was prepared to round up a bunch of silver medalists to speak out against Nike publicly, and drew the brand into a closed-door meeting that nearly came to physical blows. Nike softened its tactics, Payne suggests, after realizing that its "campaign was backfiring" and by the time the 2000 Summer Olympics in Sydney came around, the brand "showed it was an Olympic convert" by becoming an official sponsor.

According to Po Yi, an advertising attorney with the New York firm of Venable LLP, "Nike realized that, after the IOC tightened the rules, they could no longer do ambush marketing."

Going Legit

Not surprisingly, Nike's version of events doesn't give as much credit to the iron hand of the Olympic Committee. According to Nike spokesperson Charlie Brooks, Nike signed on as a sponsor for the 2000 Sydney games largely because Reebok pulled out of its deal at the last minute.

"I don't think our entire sponsorship strategy has changed as a result of what happened in Atlanta in 1996," Brooks said.

As for its easing up on its mercenary tone and tactics, "Nike has built a brand on, to some extent, edgy advertising and brand image," Brooks said. "And certainly at that time, we were pushing the envelope in terms of those ideas. We continue to have an irreverent edge to us, but we're aware of the need to do that in the framework of events like the Olympics."

These days, brands thinking of ambushing the games have to contend with a set of rules made stricter in large part as a consequence of the 1996 games. "The list of no-no's has gotten much longer," says Yi, "and that's partly because of the effective ways that brands including Nike have engaged in ambush marketing through the years."

Yi adds, though, that the IOC has recently loosened up on its Rule 40, which now grants brands that sponsor individual athletes a chance to work with them during the games—even though it retains the ironclad prohibitions against using the Olympics rings and logos, or and even words including "victory," "summer," and "gold."

Meanwhile, now that Nike is an official part of the Olympic family, it no longer needs to resort to the kind of guerrilla marketing tactics that got it so much attention two decades back. Clearly, though, Nike hasn't forgotten the Atlanta games and all the attention—good and bad—the brand got there.

Last week, it unveiled the limited-edition Nike Air Trainer SC High, a $140, gold and teal-colored retro shoe themed after, that's right, the 1996 Atlanta Olympics.

Ad of the Day: Chance the Rapper Pens Nike's New Anthem to Unite USA's Basketball Teams

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The Olympics is an amazing time. It's a time when athletes who spend most of the season as rivals come together for their country, set egos aside and unite as one team.

In order to unite the U.S. men's and women's Olympic basketball teams in their quest for gold, Nike came up with a new kind of national anthem to rally them. And it had help from a rising star in the music industry.

Chance the Rapper stars alongside some of basketball's biggest stars including Kyrie Irving, Draymond Green and Elena Delle Donne in Nike's latest ad from Wieden + Kennedy New York, "Unlimited Together." Not only does the rapper star in the spot, he also wrote original lyrics for "We The People," the song that's featured in the Hiro Murai-directed ad.

Inspired by The Star-Spangled Banner, Chance the Rapper's song focuses not only on uniting the two teams competing in Rio, but also rallying support back home. "People, people. We, the people, would like you to know, wherever you go, we're right by your side," the rapper sings. Both teams, the spot argues, will be stronger as a unit, and their success depends on the entire team—not just one superstar.

The film feels a bit more like a music video than an ad, cutting from shots of the rapper to images of the players from both squads projected onto buildings. It's mesmerizing, though. The decision to shoot the spot in black and white lends it a more gritty yet inspiring feel.

"Unlimited Together" is another chapter in Nike's "Unlimited" campaign, which includes "Unlimited Courage" starring Chris Mosier, the first transgender athlete to make it onto a U.S. national team, and "Unlimited Future," an ode to athletes as babies. 

If you can't get Chance the Rapper's new track, "We The People," out of your head, you can listen to it on iTunes and SoundCloud beginning Aug. 11.

Ad of the Day: Nike Celebrates the 'Iron Nun', an 86-Year-Old Triathlete With God on Her Side

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Next time you think you're getting a bit too creaky for an afternoon run or early morning ride, think about Sister Madonna Buder. 

The 86-year-old nun is a record-breaking Ironman triathlete and star of the newest spot in Nike's "Unlimited" campaign, created by Wieden + Kennedy Portland and running throughout the Olympics.

Much like the campaign's epic kickoff spot, the narration (from Oscar Isaac of The Force Awakens and Ex Machina fame) begins at a leisurely pace, then gets increasingly frenetic as we see the extent of Buder's athleticism.

In this case, the tongue-in-cheek narration probably muddles the ad's potency more than it amplifies it, but there's still much to love about Buder's story and the grand videography W+K brings to the table.   

If you'd like to learn more about her story without the scenery-chewing narration, definitely check out the behind-the-scenes video featuring interview footage and outtakes:

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